21 authors and reader a fighting front: Starts of open texts (open content) where leads us now this play with the Namenlosigkeit, the Mediatisierung of the author/reader debate, the transfer of such first culture-theoretical arguments on hypertextuelle agricultural engineerings? The epistemologische break, which carries out itself in view of digital interaction forms with texts, pictures and tones in the cultural knowledge systems, is situated fewer in these interaction forms than such justified. because texts are always traktiert, rewritten, cut and by means of the respective medialen noting systems and again again stuck, as rather in the forming out of these interaction forms.